‘Influencer’ is now a popular career choice for young people – here’s what you should know about the creator economy’s dark side

(Nina Willment, University of York) A 2019 poll found that children would rather be YouTubers than astronauts. It made headlines and led to plenty of grumbling about “kids these days”. But it’s not surprising that young people – up to 1.3 million in the UK – want to make their income by creating social media content.

The global influencer market was estimated to be worth $13.8 billion (£11.2 billion) in 2021. Individual influencers such as Zoella and Deliciously Ella are worth around £4.7 million and £2.5 million, respectively. Some 300,000 people aged 18-26 are already using content creation as their sole income source.

The lifestyles we see advertised on social media are enticing, but is influencing a viable career path? Underneath the glossy exterior lies precarious income, pay inequality based on sex, race and disability, and mental health issues. In my research with travel influencers and content creators, I have observed these impacts, which young people hoping to become influencers should be aware of.


Quarter life, a series by The Conversation

This article is part of Quarter Life, a series about issues affecting those of us in our twenties and thirties. From the challenges of beginning a career and taking care of our mental health, to the excitement of starting a family, adopting a pet or just making friends as an adult. The articles in this series explore the questions and bring answers as we navigate this turbulent period of life.

You may be interested in:

Online dating fatigue – why some people are turning to face-to-face apps first

Four ways you can design social media posts to combat health misinformation

The last two recessions hit young people hardest – here’s how you can protect yourself for the next one


Successful influencers will be the first to claim that anyone can make it in the industry. Love Island contestant-turned-influencer Molly Mae Hague was criticised for saying that everyone “has the same 24 hours in a day”, because in reality, few people “make it” financially as influencers.

Social media economy expert Brooke Erin Duffy researches the careers of fashion bloggers, beauty vloggers and designers. In her book (Not) Getting Paid To Do What You Love, she uncovered a huge gap between those who find lucrative careers as influencers and everyone else. For most people trying to become an influencer, their passion projects of content creation often become free work for corporate brands.

In an April 2022 report, Parliament’s Digital, Culture, Media and Sport (DCMS) committee identified pay disparity as a key issue in the influencer industry. There are pay gaps on the basis of gender, race and disability. The DCMS report referred to a 2020 study from MSL group, a global public relations firm, which found a racial pay gap of 35% exists between white and Black influencers.

Adesuwa Ajayi, senior talent and partnerships lead at AGM Talent, started an Instagram account called Influencer Pay Gap to highlight these disparities. The account provides a platform where influencers anonymously share stories about their experiences of collaborating with brands. In addition to racial disparities, the account has also exposed pay gaps experienced by disabled and LGBTQ+ influencers.

Six young people leaning against a concrete wall, all watching their mobile phones. Emoji icons are emanating from the screens.

The DCMS report also noted a “pervasive lack of employment support and protection”. Most influencers are self-employed, often experiencing inconsistent income and a lack of protection that comes with permanent employment – such as entitlement to sick pay and holiday.

The risks of self-employment are exacerbated in the influencer industry by an absence of industry standards and little pay transparency. Influencers are often forced to assess their own value and determine fees for their work. As a result, content creators often undervalue their own creative labour, and many end up working for free.

Power to the platforms

Influencers are also often at the mercy of algorithms – the behind-the-scenes computer programs that determine which posts are shown, in which order, to users. Platforms share little detail about their algorithms, yet they ultimately determine who and what gains visibility (and influence) on social media.

In her work with Instagram influencers, algorithms expert Kelley Cotter highlights how the pursuit of influence becomes “a game of visibility”. Influencers interact with the platform (and its algorithm) in ways which they hope will be rewarded with visibility. In my research, I found that influencers shared increasingly intimate and personal moments of their lives, posting relentlessly in a bid to stay relevant.

The threat of invisibility is a constant source of insecurity for influencers, who are under constant pressure to feed platforms with content. If they don’t, they may be “punished” by the algorithm – having posts hidden or displayed lower down on search results.

Mental health crisis

Constant online presence ultimately leads to one of the most pervasive issues of the influencer industry: mental health concerns. Influencers can connect to their platform workspaces and audience at any time of day or night – for many, there is no longer a clear separation between work and life. Coupled with the fear of losing visibility, this can lead to influencers working excessively and facing mental health issues such as burnout.

Online visibility also places content creators at risk of significant online abuse –- both in relation to how they look or what they do (or don’t post), but also negative perceptions of influencing as a career. The potential of online abuse can lead to mental and physical health issues, including depression, anxiety, body dysmorphia and eating disorders.

Although becoming an influencer may look appealing to more and more people, the industry’s dark underside needs to be made visible and improved through enhanced employment regulation and industry-led cultural change.


If you are struggling or feel you could benefit from mental health support, please speak to your GP, and/or try contacting supportive organisations such as The Seasonal Affective Disorders Association, The Samaritans or Campaign Against Living Miserably (CALM). There is also information on wellbeing and support via the NHS website.

Nina Willment, Research Associate, Department of Geography, University of York

This article is republished from The Conversation under a Creative Commons license. Read the original article.

The Conversation

Tu opinión enriquece este artículo:

Ole Miss creó el relato perfecto del “Fast Friday” al Fiesta Bowl (por qué Miami es el último capítulo de una revolución)

(Por Ortega) El field goal de 47 yardas de Lucas Carneiro que venció a Georgia no fue un golpe de suerte. Fue la culminación de un proceso diseñado para prosperar en el caos, la validación de una hipótesis arriesgada: que un equipo puede perder a su entrenador estrella un mes antes del playoff, mantener a un staff dividido entre dos programas, y aún así ejecutar bajo presión extrema.

(Tiempo de lectura: 4 minutos para ilusionarse)

Empieza este 2026 haciendo lo que ya los Gurús de las top brands hacen

(Por Otero-Maurizio) "El marketing del futuro no se vende; se vive. Y las marcas que creen espacios para vivir, ganarán." Las tendencias 2026 no son meras predicciones, sino síntomas de una transformación profunda en la psicología del consumidor, la economía de la atención y la arquitectura de valor de las marcas. 

(Contenido de alto valor: 3 minutos)

2026, el primer chisme que hizo estallar las redes: Brady & Earle en St. Barths (¿romance, colaboración de marca o el nuevo power duo del entretenimiento global?)

(Por Vera) En la noche de Año Nuevo, mientras el mundo brindaba por lo nuevo, dos figuras aparentemente distantes —Tom Brady, el atleta meticuloso, y Alix Earle, la influencer de la generación Z— escribían, sin saberlo, un capítulo revelador sobre el futuro del branding, el entretenimiento y la economía de la atención en 2026.

(Nota ágil de 3 minutos, menos de 250 palabras)

El colapso del consumo del alcohol (excepto hiper lujo o meta relevancia) está remodelando todo el marketing de bebidas

(Por Maqueda con Maurizio) Imagine una inversión que pierde casi la mitad de su valor en cinco años. No es una criptomoneda volátil ni una startup fallida. Es la industria global del alcohol, un gigante que durante siglos pareció inmune a las crisis y que hoy enfrenta una tormenta perfecta: una revolución generacional en los hábitos de consumo, guerras comerciales y una transformación farmacológica que está reescribiendo la relación humana con la intoxicación.

(Nota ágil de 3 minutos, menos de 250 palabras)

Rosemary Beach: es como ir a lo mas lindo de Europa y de Miami a la vez (en Florida)

(Por Maurizio) Este pequeño paraíso, ubicado en la pintoresca Costa del Golfo, es un verdadero refugio para aquellos que buscan una escapada idílica, combinando la serenidad de la naturaleza con un estilo de vida moderno y vibrante. En el vasto paisaje de la costa de Florida, se encuentra un rincón de ensueño que no siempre recibe la atención que merece: Rosemary Beach

(Tiempo de lectura estratégica y de alto valor: 4 minutos)

Paradoja Starbucks 2026: reestructura en EEUU y crece en MX (by Alsea) (¿por qué nadie te explica por qué?)

(Por Maqueda y Maurizio) Si quieres entender el futuro del retail, no mires las ganancias. Mira las energías contrastantes. Starbucks no tiene un problema financiero; tiene una crisis ontológica. Mientras en México florece como un ecosistema resiliente, en Estados Unidos se contrae como un organismo que olvidó su propia mitología.

(Tiempo de lectura estratégica y de alto valor: 4 minutos)